Increased number of images has never not been so rapid. If you are from the hands of an experienced photographer or a famous picture companies get the picture, then most of the time can be at ease. But there are a lot of pictures when I first got poor contrast, color cast of powerful, such as poor image from the CD-ROM, or slightly lower quality digital cameras and scanners, or the Internet, many free pictures, then Prior to use, modify images on the great need for it, and sometimes a "good" image is also need for further processing.
Controversial, there is a comment: Whatever, as long as he engaged in image editing, then he must be getting on familiar curves, apply it as natural as breathing. This argument is brave enough to measure! It has aroused your attention? If I was forced to give up all the image adjustment tools, leaving only a kind, then I will select the curve! Experts believe that the curve is that you used to improve the image quality of a variety of methods of choice!
Now, let us immediately to remove some misconceptions:
Curve is not a filter, which is loyal to the original image based on the image to make some adjustments, rather than filter effects can be created out of nothing;
Curve is not as elusive as long as the master some basic knowledge, you can master the other tools as soon as the master filter;
Control curve can give you more dramatic works, more exciting to come from under you;
Curve does not directly add points to your image, can not help you attract the attention of the opposite sex - but except for the boss!
Photoshop gives you the real fun is one of the software available to you are many options to solve problems. To adjust the image, in the image> adjust the menu, you can choose to have a lot of tools, my favorite reason is that only the curve of a tool you can:
Adjust contrast of all or a single channel;
Adjust the brightness of any local;
Adjust the color.
Curve can accurately adjust the image, given that the original picture should be scrapped and new vitality!
Although this article preference for Photoshop, (in particular, is one of the illustrations), but the regulatory function curves and images of each person dealing with very important, so even if you do not use Photoshop, you can also find much useful help . This has not made use of curve effects, though it certainly falls within the scope of effects. This will help those who edit images every day, to make them look more outstanding non-expert practitioners. Believe me, after reading this, the curve will be your right-hand man, like the hammer of the carpenter, like!
Now, let us open a curve a little bit of the mysterious veil of it!
Chapter I: first met Curve
Figure 01
Open the image> adjust> curves command, shortcut keys Ctrl + M, curve dialog box appears. (Figure 01) If necessary, we re-explain every single detail, is to prepare some basic knowledge first. If your screen looks and figure are not the same, hold down the Alt click within the grid, you can switch between the size of the grid, the grid size without affecting the function of the curve, but the smaller the grid can help you more Good observation. Also note that the middle section in the gray two small triangles, RGB image default is left-right-white-black, from the image of the shadow zone areas to bright areas, while the default CMYK image opposite. (Figure 02) in order to avoid confusion, I suggest you set it before the adjustment to their familiar pattern. Standard curve will give you more intuitive understanding.
Figure 02
First of all, one of the most obvious fact is that - do not curve! Why? You know, the curve reflects the image brightness values. Has set a pixel brightness value, you can change it so that it brightened or dimmed. Look at two maps (Figure 03,04), the following article represents the gray level of original color, vertical gray section represents the adjusted image tone. Without any changes, input and output color values are equal, so the curve is a straight line 45 degrees, this is the curve does not change. When you make changes to any point on the curve, but also changed the image pixel corresponding to the same brightness. Click to establish a regulatory point, this point can be dragged to move to any area within the grid is light is dark all see you up and down. The sudden change in brightness value will cause a very eye-catching effects; slow and gradual change, whether to increase or decrease the brightness value, will cause the color transition is smooth, realistic effect. The following example demonstrates a number of particular value when the curve is changed, since the image of what kind of role, and you can clearly see the shape of the curve changes. (To display, in this case, the curves are exaggerated, sometimes you need a strong change of the curve, but most of the time, the image curve of the changes should be much less.)
Figure 03
Figure 04
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Chapter II: curves in the gray image of
After a brief, and finally to the actual operation phase. This section, we first of all to deal with a grayscale image, lay a good foundation, color photographs will be discussed in the next chapter. Now let's look at this poor picture (Figure 05): This is a dark digital camera to capture images of the evening, its lack of contrast, color pixels are too concentrated in the middle range. At work, you may run into such things. We can use curves to improve it? The answer is yes.
Figure 05
Figure 061-062: original image and the curve, adjust points, unchanged;
Figure 061
Figure 062
Figure 071-072: adjustment points to improve the brightness, brighten the overall picture;
Figure 071
Figure 072
Figure 081-082: lower the brightness adjustment points, the overall picture darker.
Figure 081
Figure 082
You may have found, either increase or decrease the curve of brightness alone can not completely solve the problem, they are a part of improving the image and also damaged the image of the other part. If we can learn from each other, then the problem is solved. Another feature of the curve can add multiple adjustment points. Add the image anywhere in the regulation point, a separate regulation, so that you can color values for different regions to adjust brightness. On this picture, the two adjustment points can work very well: to improve the brightness area bright part, to lower the brightness value of the Department of area. (Figure 091-092)
Figure 091
Figure 092
Tip: hold down Shift to select multiple adjustment points, such as to delete a certain point, the point can be dragged out of the curvilinear coordinates outside the region, or you can hold down the Ctrl click on the point.
In fact, as this is not on the Department of the Ministry and dark images, I will just start narrowing the scope to increase the contrast curve. We have said before, any point within the grid can be moved, of course, include the two end curves. If we ensure that the "curve" is a straight, will curve to the right endpoint shadow, bright Department of endpoints to the left, the curve becomes steeper, increasing mid-tone contrast. (Figure 10) the lack of this method compared to most of the middle tone image is useful! And it is similar, both ends of the slider is adjusted Levels among them to concentrate. Indeed, in this example, using Levels tool may be more clear. (Using curve tool does not mean not to use color scale, changes in other items, where, in order to achieve the objective of "unscrupulous" is not a bad thing) There's a little trick that can make you quick to make inverse effect: the black endpoint is shifted from the left of the top most, the white endpoint from the right, under the most on the move the most, so you do not have to use the inverse command can achieve the same effect. Now you might think: not every image has such a bright and dark Department of the Ministry. Yes! But most of all this. If you take advantage of, then all your pictures will grow more popular!
Figure 10
Theory we have, here are three top-secret weapons, those knowledgeable enough to make to your colleagues respect and admiration. Three trick in color images, grayscale images and is also useful, but we for convenience or grayscale images do take an example. Do not miss yo!
One trick: Use a straw to set the range of tools
Figure 11
Figure 11 have not noticed the part? Preview window lets you see the changes made, must be open. "Auto" option should be used with caution, once click on this button will make the brightest image pixels into white, for the poorest dark pixels black. (Figure 12), of course, this will save time for people who need the convenience, but give up the manual adjustment of automatic mode is rarely the best results. When the color image of the intermediate value is assumed to be the brightest and darkest values value, this method has a greater risk! In many cases, you will want to specify the image in the brightest and darkest part of the special effects in the treatment picture is particularly prominent. You can use the pipette tool to achieve. Select the left of the black straw, in the image window click you want to place it into black and white equally. As our case diagram is a grayscale image, so there's no gray straw used. Fast and accurate! If you are ready to print the image, the color values need to be more determined, double-click the straw, the color pop-up dialog box, you can set the exact values here.
Figure 12
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Trick 2: View the brightness value in the curve
This is a cool tip: If you want to know a little office to determine the value of the image, you can move the mouse to the image window, the pointer into a straw look at where you want to see hits, the curve will appear and this point corresponding to the point. When you need to change the brightness value of a particular place and do not know the location of the curve, this method is very useful. Fear can not remember the exact location of it? Not worry, Photoshop long as you think of this. When clicking on the image, hold down the Ctrl key, so that this point will be fixed. (Figure 13)
Figure 13
Trick 3: To strengthen specific areas of contrast
This method is based on the earlier methods, we will optimize the image processing, which is prominent theme of the picture. Many images have a fixed theme, such as the environment, the characters, most of the time, we want to do on this subject than the background screen. As the saying goes: there is steel to make the knife's edge in the energy limited circumstances, we should focus on as much as possible the most important part, prominent center. Just now, we have seen, the steep curve will increase the contrast of the image, and now hold down the Ctrl, click around the screen key to find the corresponding point on the curve. Will take you to multiple points, leaving the top and bottom, to remove the other. Now you know those parts of the curve on the efforts of the. Increase the slope of the curve will get more details. That is not too bright, nor too dark, multi-try, seek, and the picture is balanced. Sometimes the scope will take a little more, that's not a bad thing, just the background. (Figure 14)
Figure 14
The following example is mentioned, the curve in Figure. (Figure 151-153)
Figure 151
Figure 152
Figure 153
With the accumulation of experience, you can gradually see the colors of the pixels in each location of the curve to see the more, the more you can determine what the highlight so, what the dark, you'll know what's what . Before the adjustment curve, this rough analysis is necessary. Once placed, they can still move the adjustment point.浣犱細鍙戠幇锛屽綋浣犳斁缃苟寮?璋冭妭杩欎簺鐐圭殑鏃跺?锛岄瑙堢獥鍙ｇ畝鐩村氨鍍忎綘鐨勭敾甯冧竴鏍风洿瑙傦紝褰撹皟鑺傜偣鐨勪綅缃拰鏇茬嚎鐨勫?鏂滃湪浣犳墜涓嬫敼鍙樻椂锛屽浘鍍忎篃闅忕潃浣犵殑鎰忔?鏀瑰彉銆備綘鍙互涓嶅繀灞?檺浜庝竴涓や釜鐐广? 锛堣櫧鐒禤hotoshop鍏佽浣犳斁缃杈?6涓皟鑺傜偣锛屼絾涓?埇鎯呭喌涓嬶紝涓や釜鐐瑰氨宸茬粡瓒冲浜嗭級璋冭妭鐨勮繃绋嬪皢鍙樺緱蹇?鑰屾湁鏁堬紒褰撶劧锛岃繖涓?垏鐨勫墠鎻愭槸浣犲繀椤诲鍔犵粌涔犮?
Figure 16
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Figure 17
銆??绗笁绔狅細鐢ㄦ洸绾挎敼鍠勫僵鑹插浘鍍?br />
銆??杩欓噷鎴戜滑鎵?寚鐨勫僵鑹插浘鍍忥紝鏄寚RGB鍥惧儚锛屼笉鍖呮嫭CMYK妯″紡鐨勫浘鍍忋?
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Figure 18
銆??璁╂垜鍐嶆潵缁欎綘浠嬬粛涓?寰堟湁鐢ㄧ殑宸ュ叿锛氫俊鎭潰鏉裤?濡傛灉娌℃湁锛岄偅灏变粠绐楀彛鎵撳紑锛屽苟涓旀案杩滆瀹冨湪浣犵殑妗岄潰涓婂崰涓?腑涔嬪湴銆傦紙鍥?8锛変笉绠′綘褰撳墠閫夋嫨鐨勬槸浠?箞宸ュ叿锛堟枃瀛楀伐鍏蜂緥澶栵級锛屽皢榧犳爣鎸囬拡鏀惧湪鐢婚潰涓婏紝淇℃伅闈㈡澘灏变細鍑虹幇鎸囬拡涓嬮偅涓?偣鍍忕礌鐨勯鑹蹭俊鎭?鎳傚緱鐢ㄦ暟瀛楁潵璋冩暣棰滆壊鎵嶈兘绉板緱涓婄湡姝ｇ殑绮鹃?棰滆壊淇銆傚叧浜庢暟瀛楀?杩欑瘒鏂囩珷閲屾垜浠笉鎵撶畻杩囧鐨勮杩帮紝浣嗚繖绉嶆柟寮忓拰鍒殑鏂瑰紡鏈夊緢澶т笉鍚岋紝鍦ㄤ綘璋冩暣棰滆壊鏃跺彧瑕佽浣忎竴鐐逛簨瀹烇細涓?釜涓?鑹茬殑鍍忕礌锛屽畠鐨凴GB鍊煎簲璇ユ槸鐩哥瓑鐨勩?涓嶇浠栦滑鏄粈涔堬紝浣嗗畠浠兘鐩哥瓑銆備粠娴呯伆鑹插埌娣辩伆鑹查鑹插?浼氭湁寰堝ぇ宸埆锛屼絾濡傛灉瀹冪殑R锛滸锛滲锛岄偅涔堝畠灏辨槸涓?鐨勩?鎴戜滑鐨勭溂鐫涘拰澶ц剳鍏锋湁楂樺害鐨勯?搴旀?锛屼粬浠叡鍚屽伐浣滐紝鍙互璧嬩簣鐗╀綋澶ц剳鎵?涓虹殑榛戣壊锛岀櫧鑹叉垨鏄腑鎬ц壊銆傚僵鑹插鏄撲粠鏄剧ず鍣ㄤ笂浼拌锛屼絾榛戣壊锛岀櫧鑹诧紝鐗瑰埆鏄腑鎬ц壊搴斾粠淇℃伅闈㈡澘涓‘瀹氥?
銆??鍗佸垎鎶辨瓑锛佹垜鏃犳硶鍛婅瘔浣犵毊鑲ゅ簲璇ユ槸浠?箞棰滆壊锛屼篃鏃犳硶鍛婅瘔浣犱粈涔堟牱鐨勫?閫傜敤浜庣ⅶ缁跨殑鑽夊湴鎴栨捣鍐涜摑锛屼絾涓?鑹插彲浠ヤ綔涓轰綘鐨勫弬鑰冪偣銆傚綋鐒讹紝涓嶆槸姣忓紶鍥句腑閮芥湁涓?鑹诧紝浣嗘槸濡傛灉浣犵湅涓?湅锛屼綘灏变細鎯婅鐨勫彂鐜帮紝鏈夐偅涔堝鐨勫浘浣跨敤浜嗕腑鎬у弬鑰冪偣锛氱櫧鑹茬殑琛。锛岃揣杞︾殑杞儙锛屾涓婄殑涓?紶绾革紝鍧楃煶璺潰涓婄殑娌ラ潚锛岀櫧鑹茬殑鍥存爮锛岃姳宀楀博寤虹瓚鈥︹?浣犲凡缁忔槑鐧芥垜鐨勬剰鎬濅簡锛屽鏋滀綘闇?涓?涓?鑹诧紝閭ｄ箞鍦ㄤ竴绉嶇墿浣撲笂鎵惧埌鐨勬満浼氫細鏄?00锛呫?閭ｆ?鏍锋墠鑳介?鍑洪偅浜涢鑹蹭负淇℃伅闈㈡澘涓墍绀虹殑鍍忕礌鍛紵瀹冨綋鐒朵笉鏄腑鎬ц壊锛岃摑鑹插?杩滆繙灏忎簬绾㈣壊鍜岀豢鑹插?銆傝摑鑹茬殑鍙嶈壊鏄粈涔堬紵鏄紓浜殑榛勮壊銆傛妸瀹冨亣瀹氫负涓?鑹诧紝鎴戜滑鎶婅摑鑹插姞鍏ュ叾浠栭鑹蹭腑銆?br />
Figure 19
銆??绗竴鐪肩湅鍒颁笅闈㈢殑鍥撅紝锛堝浘19锛変綘鍙兘灏卞凡鐣欎笅娓呮鐨勫嵃璞★細杩欏箙鍥句竴瀹氭湁浠?箞涓嶅鐨勫湴鏂癸紒杩欐槸涓?箙鐢ㄦ暟瀛楃浉鏈烘媿涓嬫潵鐨勫伐浣滃鍥剧墖锛屾垜浠線寰?細鎯冲埌鏄繖浠跺伐浣滃鐨勭伅鍏夌己涔忕孩鑹诧紝鎵嶄細瀵艰嚧鍋忕豢鑹茬殑鍥惧儚銆備絾鏄湪杩欑鎯呭喌涓嬪厜鍜岀収鐩告満鐨勭粍鍚堬紝涓庡叾璇存槸鍋忕豢鑹诧紝涓嶅璇存槸鍋忛粍鑹层?鎴戜滑鏄?涔堢煡閬撶殑鍛紵濂藉惂锛岃鎴戜滑鏉ラ?杩囦竴涓浘鍍忔綔鍦ㄧ殑涓?鍙傝?鐐规潵璇存槑闂銆傚皢浣犵殑榧犳爣鎸囬拡鏀惧湪浠绘剰涓?偣浣犺寰楀彲鑳芥槸涓?鑹茬殑鍥惧儚鍍忕礌涓婏紝淇℃伅闈㈡澘鍐嶆鍛婅瘔浣犺摑鑹蹭弗閲嶇殑缂轰箯銆傝繖涓嬫槑鐧戒簡鍚э紒
Figure 20
銆??杩欐槸鎴戦?鎷╃殑鍙傝?鐐癸紙鍥?0锛夊拰淇℃伅闈㈡澘鏄剧ず锛堝浘21锛夛紝浠ュ強淇鍚庣殑鍥惧儚锛堝浘22锛夈?
Figure 21
Figure 22
銆??鎴戣姳浜嗗緢澶氱殑绡囧箙鐢ㄦ潵鎻忚堪濡備綍鐢ㄤ腑鎬ц壊鏉ユ秷闄ゅ亸鑹诧紝浣嗕笉鏄墍鏈夌殑鍥惧儚閮介渶瑕佽繖鏍凤紒褰撲竴寮犲浘鐨勮壊璋冮渶瑕佸彉寰楁洿鏆栨垨鏄洿鍐凤紝浠ヤ究鍜屽叾浠栫殑鍥剧墖鏇村ソ鐨勯厤鍚堟椂锛屼綘鎵嶉渶瑕佽繖鏍峰仛锛屾瘮濡傞渶瑕佸鍔犻粍瑜愯壊鏉ュじ寮犵収鍦ㄨ崏鍧笂鐨勮惤鏃ヤ綑杈夋垨鏄寒鍏夈?缁欒劯閮ㄧ殑鐨偆澧炴坊灏戣鐨勭孩鑹诧紝鎴栨槸浠庨粍鏄忕殑鍥剧墖涓墧闄や竴浜涢粍鑹诧紝杩欏浣犳潵璇村凡涓嶅湪璇濅笅銆傜被浼肩殑澧炲姞鎴栧噺灏忓姣斿害锛屼綘閮藉彲浠ラ?杩囨洸绾挎潵瀹屾垚銆?br />
銆??鍦ㄤ俊鎭潰鏉夸腑鏌ユ壘闂鐨勬牴婧愶紝鍦ㄦ洸绾垮璇濇涓?鎷╂湁闂鐨勯?閬擄紝杩欐牱灏卞彲浠ュ緢蹇殑娑堥櫎闂銆傚綋浣犳妸榧犳爣浠庡浘鍍忕獥鍙ｇЩ鍒版洸绾垮璇濇閲岀殑鏃跺?锛屼俊鎭潰鏉块噷鐨勬彁绀轰俊鎭氨浼氭秷澶便?濡傛灉浣犳敼鍙樹簡鏇茬嚎涓婄殑涓?釜鎴栧涓偣锛岄偅涔堝綋榧犳爣鍐嶅洖鍒板浘鍍忕獥鍙ｏ紝淇℃伅鏍忎腑灏变細鏄剧ず鍑哄彉鍖栧墠鍜屽彉鍖栧悗鐨勫樊鍒紙鍥?3锛夈?杩樻湁锛屽墠闈㈡垜浠凡缁忚杩囷紝鎸変綇Ctrl鍦ㄥ浘鍍忓唴鍗曞嚮锛屽彲浠ュ湪鏇茬嚎涓婄‘瀹氱偣锛岃?鍦ㄥ僵鑹插浘鍍忎腑锛岃繖涓姛鑳芥洿鍔犳湁鐢細濡傛灉鐜板湪鏄湪鍗曡壊閫氶亾涓紝鍗曞嚮鏀剧疆鐐瑰氨鍙互浜嗭紱浣嗗鏋滄槸澶氫釜閫氶亾闇?鏀剧疆澶氫釜鐐瑰憿锛熼噸澶嶇殑鍦ㄥ浘鍍忕獥鍙ｇ偣鍑婚渶瑕侀?鎷╃殑鐐瑰彲涓嶆槸涓?欢鎰夊揩鐨勪簨锛岃?涓斿緢闅剧‘淇濇瘡娆￠?鎷╃殑閮芥槸鍚屼竴涓偣銆傝繖鏃跺?锛岄殣钘忓湪鍚哥宸ュ叿涓嬬殑棰滆壊鍙栨牱鍣ㄥ伐鍏峰氨鑳藉府浣犵殑澶у繖浜嗐?鍦ㄥ浘鍍忎笂鐐瑰嚮鏀剧疆鍙傝?鐐癸紝甯︽湁鏍囧彿鐨勫弬鑰冪偣鐨勯鑹蹭俊鎭氨浼氬嚭鐜板湪淇℃伅闈㈡澘涓?鐜板湪鍙傝?鏁板?璋冩暣鏇茬嚎灏卞彲浠ヤ簡銆?br />
Figure 23
銆??淇濇寔鍙栨牱鐘舵?锛岃繕璁板緱鎴戜滑鍓嶉潰鎻愬埌杩囩殑涓変釜鍚哥宸ュ叿鍚楋紵瀹冧滑鍙互浣夸綘涓烘爣璁颁笅鐨勫浘鍍忚缃壒瀹氱殑棰滆壊锛屽浜庢湁鐗规畩瑕佹眰鐨勫浘鍍忔潵璇达紝杩欐槸闈炲父鏈夌敤鐨勩?姣斿璇达紝濡傛灉闇?鍥惧儚鐨勪寒搴﹀湪250锛?50锛?50鍜?锛?锛?鐨勮寖鍥村唴锛屽垎鍒缃櫧鑹插拰榛戣壊鍚哥灏辫浜嗭紝缁撳悎鎴戜滑鍓嶉潰鎵?彊杩扮殑涓?鑹诧紝浣犲ぇ姒備篃宸茬粡鐭ラ亾鐏板害鍚哥鐨勪綔鐢ㄤ簡銆傚湪澶у鏁版椂鍊欙紝鎴戝畞鎰夸娇鐢ㄦ洸绾匡紝浣嗘槸鍚哥涔熸槸寰堣‖鎵嬬殑宸ュ叿銆傛湁鏃舵垜涔熶細鐢ㄨ嚜鍔ㄦ洸绾匡紝瀹冧細浣挎瘡涓?閬撳唴鏈?殫鐨勫儚绱犲彉鎴愰粦鑹诧紝鏈?寒鐨勫儚绱犲彉鎴愮櫧鑹诧紝鍦ㄦ煇浜涙椂鍊欒繖鏄笉閿欑殑锛屼絾閫氬父瀹冧細閫犳垚寮虹儓鐨勮壊褰╁拰瀵规瘮搴︺?棰勮绐楀彛浼氬皢鍙樺寲鍙嶆槧缁欎綘锛屽鏋滀笉婊℃剰锛屾寜浣廇lt锛屸?鍙栨秷鈥濆皢浼氬彉鎴愨?閲嶇疆鈥濓紝鐜板湪杩樻湁浠?箞濂芥媴蹇冪殑鍛紵
銆??瀵规暣涓浘鍍忔垜浠凡缁忕湅浜嗚繖涔堝锛屼絾浣犳湁鏃跺?杩樺緱鐪嬬湅褰撴洸绾胯繍鐢ㄥ湪灞?儴閫夊尯銆傛湁鏃跺?鍓嶆櫙鑹插拰鑳屾櫙鑹蹭笉鍗忚皟锛屾湁鏃跺?鑳屾櫙鑹插お鏆楄?鐗╀綋姝ｅソ鈥︹?寰堝鎯呭喌閮藉繀椤昏?铏戝湪鍐呫?鍦ㄥ鍥惧儚鍋氬畬鍒囧彲鍋氱殑璋冩暣涔嬪悗锛屾垜浠繕鍙互鐢ㄩ?鎷╁伐鍏烽?鎷╅?鍖猴紝鐢ㄦ洸绾垮仛灞?儴璋冭妭銆傛洸绾垮湪閫夊尯鍐呭拰鍦ㄩ?閬撳唴涓?牱宸ヤ綔銆?br />
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銆??琛ュ厖璇存槑锛?br />
銆??涓嬮潰杩?涓皬鎻愮ず锛屼細浣夸綘鐨勫伐浣滄洿鍔犵畝鍗曘?
銆??1.娑堣お鏇茬嚎
銆??蹇嵎閿細Shift+Ctrl+F銆傛湁浜涙椂鍊欎綘鍋氬緱寰堝ソ锛屽氨鏄湅鏉ユ湁浜涒?杩団?锛岃?浣犲張涓嶆効鐢ㄨ繕鍘熷懡浠ゆ潵鍩嬫病鍔熺哗锛岃繖鏃朵綘灏卞彲浠ヤ娇鐢ㄢ?娑堣お鈥濆懡浠ゆ潵鍑忔贰鏇茬嚎鏁堟灉銆傞殢鐫?暟閲忕殑閫掑噺锛屾晥鏋滀篃瓒婃潵瓒婁笉鏄庢樉銆備笉杩囷紝瑕佽寰楋細涓?畾瑕佸湪鍒氬垰鐢ㄥ畬鏇茬嚎涔嬪悗锛岃繕娌℃湁鐢ㄥ埆鐨勫懡浠や箣鍓嶏紝娑堣お鎵嶅彲浠ヤ娇鐢紝鍚﹀垯灏嗕細鏄綘涓嬩竴涓懡浠ょ殑娑堣お浜嗐?
銆??2.鎾ゆ秷鍜岄噸鍋?br />
銆??濡傛灉浣犲鍒氬仛鐨勬洸绾挎晥鏋滀笉鐢氭弧鎰忥紝閭ｄ箞鍜孭hotoshop鍏朵粬鍛戒护涓?牱锛岄兘鍙互鐢–trl+Z鏉ユ秷闄わ紱浣犲凡缁忕煡閬撲簡鏇茬嚎鍛戒护鐨勫揩鎹烽敭鏄疌trl+M锛屽彲浣犳槸鍚︾煡閬撳鏋滄寜浣廇lt+Crl+M锛屽皢浼氫互鏈?悗涓?璁剧疆鐨勬洸绾挎墦寮?璇濇锛熻繖鏍蜂綘灏卞彲浠ョ户缁皟鑺備簡銆傝繖涓嶅儚鏄柟娉?涓?牱鍦ㄥ師鏉ヨ皟鑺傜殑鍩虹涔嬩笂鍑忔贰鏁堟灉锛岃?鏄竴娆″叏鏂扮殑璋冩暣銆傚綋鐒讹紝濡傛灉浣犳効鎰忥紝涔熷彲浠ュ湪鍘熸潵鐨勫熀纭?笂鍐嶅姞璋冩暣銆傚畠涓嶅儚娑堣お鍛戒护锛屽彧鑳界揣璺熺潃涓婁竴姝ュ懡浠わ紝鍦≒hotoshop鐨勫伐浣滄椂闂村唴锛屽畠閮藉彲浠ヨ浣忔渶鍚庝竴娆℃洸绾跨殑浣嶇疆銆傚畠鏈変粈涔堢敤锛熷鏋滀綘鍙?寮犲浘鐗囬渶瑕佸仛鐩稿悓鐨勬洸绾垮鐞嗭紝閭ｄ箞浣犲彧闇?仛涓?鏇茬嚎璋冩暣锛屽啀鎸夊揩鎹烽敭锛屽墿涓嬬殑5寮犲氨鑳藉仛鍜岀涓?紶涓?牱鐨勮皟鏁翠簡銆傛澶栵紝鑹查樁锛岄ケ鍜屽害锛岃壊褰╁钩琛″懡浠や篃鍙悓鏍峰伐浣溿?
銆??3.鎵瑰鐞?br />
銆??濡傛灉浣犺璁板綍涓?簺鍏锋湁浠ｈ〃鎬х殑鏇茬嚎绫诲瀷锛屼互渚夸笅涓?浠ュ畠搴旂敤鍒扮被浼肩殑鍥剧墖涓幓锛岄偅涔堟柟娉?灏辩埍鑾兘鍔╀簡锛岃繖鏃舵垜浠彲浠ョ敤瀛樺偍鍛戒护锛屽皢涓?釜璋冩暣濂界殑鏇茬嚎褰㈡?瀛樺偍鍦ㄥ浐瀹氱殑鏂囦欢澶逛腑锛岀劧鍚庡啀鐢≒hotoshop鐨凙ction鍛戒护璁板綍杞藉叆鏇茬嚎鐨勮矾寰勶紝杩欐牱锛屼綘灏卞彲浠ュ揩鎹风殑浠ョ浉鍚岀殑鏇茬嚎澶勭悊澶ч噺鐨勫浘鐗囦簡銆?br />
銆??4.璋冩暣灞?br />
Figure 24
銆??杩欏彲鏄垜鐨勬渶鍚庝竴鎷涗簡銆侾hotoshop姣忎釜鏂扮増鏈兘浼氬甫鏉ヤ竴浜涙柊鍔熻兘锛岃繖浜涘姛鑳介兘浼氳浣犺秺鏉ヨ秺瀹规槗鐨勫簲鐢ㄧ▼搴忥紝鍍忔柊澧炵殑璋冩暣鍥惧眰锛屽畠鍏佽浣犲湪鍥惧儚涓婃棤闄愭敼鍔ㄨ?涓嶅繀鐮村潖鍥惧儚銆傛墦寮?浘灞傦紴鏂拌皟鏁村浘灞傦紝鍦ㄤ笅鎷夎彍鍗曚腑閫夋嫨鏇茬嚎锛堝浘24锛夛紙鎴栨槸鍒殑锛夛紝鍑虹幇鐨勫浘灞傚睘鎬у璇濇锛岀湅鍒拌嚜鍔ㄥ懡鍚嶇殑鏇茬嚎N锛岀偣鍑籓K鍚庡氨浼氬嚭鐜板拰鍓嶉潰涓?牱鐨勬洸绾垮璇濇锛屼綘鍙互鍦ㄥ叾涓皟鏁村浘鍍忥紝濡傛灉涓嶆弧鎰忥紝鍙屽嚮鍥惧眰缂╄鍥撅紝浣犲氨鍙互鍦ㄥ垰鎵嶇殑鍩虹涓婄户缁皟鏁达紝灏辫薄鎴戜滑鍒氭墠鎻愬埌鐨勬柟娉?涓?牱锛屾墍涓嶅悓鐨勬槸锛屽湪鎷煎悎鍥惧眰涔嬪墠锛屼綘闅忔椂閮藉彲浠ヨ皟鑺傛洸绾裤?瀹冧笉浼氭崯浼ゅ疄闄呭儚绱狅紝鎵?互浣犲彲浠ユ斁蹇冨ぇ鑳嗙殑浣跨敤銆傚湪鍚庨潰鐨勫浘灞傝挋鐗堝唴锛屼綘鍙互灏嗘煇浜涚壒娈婇儴鍒嗕繚鎶よ捣鏉ヤ笉鍙楁洸绾跨殑褰卞搷銆備笉瑕佸繕浜嗚繖涓妧宸э紒瀵瑰浘鍍忔敼鍔ㄥ緱瓒婂锛屼綘灏辫秺闇?灏介噺淇濇寔鍥惧儚鐨勫師鏍凤紝灏ゅ叾鏄涓?簺绂诲鐨勫浘鐗囥?鍐嶅憡璇変綘涓?偣涓汉缁忛獙锛氫綘鍙渶璇稿鍥惧眰涓婃柦灞曚竴娆¤繖鏍风殑灏忓皬璇¤锛岄偅涔堟棤鏁扮殑鏉傚織灏侀潰閮藉皢涓轰箣鑰岀柉鐙傦紒
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Figure 25
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Figure 26
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